Grigory Frid's opera is designed as a monodrama: In 21 episodes, a musical portrait unfolds that stays close to the wording of Anne Frank's diary. The score follows internal states rather than external events - a "sound kaleidoscope" of moods, memories and feelings.
Frid combines different compositional techniques: tonal and atonal passages, leitmotifs and clusters stand side by side and create a multi-layered world of sound. Often characterized by dark colors, the music also opens up to fragile, translucent moments.
The singing voice is at the center: it carries the action, alternating between narration and direct experience, between childlike directness and reflective distance. In this way, music becomes the resonance chamber of an inner development - and allows Anne Frank's world of thought to become intensely audible.